In Collection
#513
Seen It:
No
Horror
USA / English
| Gary Oldman |
|
| Keanu Reeves |
|
| Winona Ryder |
|
| Anthony Hopkins |
|
| Richard E. Grant |
|
| Tom Waits |
|
| Sadie Frost |
|
| Cary Elwes |
|
| Bill Campbell |
|
| Director |
Francis Ford Coppola |
| Producer |
Francis Ford Coppola; Charles Mulvehill |
| Writer |
James V. Hart |
Francis Ford Coppola's 1992
Bram Stoker's Dracula is a feverishly inventive movie that often overwhelms its own narrative flow, yet proves irresistible to watch. Coppola's baroque, operatic set design, costumes, and cinematography look as lavish as they did on the film's first release. The director's grab-bag of visual effects are still bold and unabashed, if often over-the-top, and the actors still appear caught up in a certain hysterical pitch that feels a little forced but can be a lot of fun to watch. Gary Oldman's imaginative performance as the titular vampire carries the weight of Coppola's vision of Count Dracula as a tragic-romantic hero with Christ-like overtones. Keanu Reeves still looks a little lost in the pivotal role of Jonathan Harker, the London clerk who finds himself a prisoner in a Transylvanian castle while a 400-year-old vampire makes a play for his fiancée back home (Winona Ryder). Anthony Hopkins is fearless as a daft Von Helsing, and Sadie Frost is very good as the doomed Lucy.
--Tom Keogh
| Distributor |
Sony Pictures |
| Resolution |
1080P |
| Barcode |
043396150201 |
| Region |
Region |
| Release Date |
10/2/2007 |
| Packaging |
HD Case |
| Screen Ratio |
1.85:1 |
| Subtitles |
Arabic; Cantonese; Chinese; Croatian; Czech; Danish; Dutch; English; French; Greek; Hebrew; Hungarian; Korean; Norwegian; Polish; Portuguese; Spanish; Swedish |
| Audio Tracks |
CZECH: Dolby Digital 5.1
ENGLISH: Dolby Digital 5.1 [CC]
ENGLISH: PCM 5.1 [CC]
FRENCH: Dolby Digital 5.1
HUNGARIAN: Dolby Digital 5.1
POLISH: Dolby Digital 5.1
RUSSIAN: Dolby Digital 4.0 |
| Layers |
Single Side, Dual Layer |
| Nr of Disks/Tapes |
1 |
|
|
|
Over 30 Minutes of Deleted Scenes Audio Commentary & Film Introduction by Director Francis Ford Coppola The Blood is the Life - The Making of Dracula The Costumes are the Sets - The Design of Eiko Ishioka In-Camera - The Naive Visual Effects of Dracula Method and Madness - Visualizing Dracula |